An aesthetic study of picture writing based on the opinions of Allameh Mohammad Taghi Jafari (a case study Jalil Rasouli's works)

Document Type : Original Article

Authors

1 Mazandaran University Faculty of Art and Architecture

2 Faculty of Art and Architecture, Mazandaran University, Babolsar, Iran

10.22080/hpai.2024.26294.1000

Abstract

the present research is to investigate the systematic and useful aesthetic components of Allameh Jafari (face, content, form ) in the works of picture writing of Rasouli. the author is looking for this question: 1- What is the relationship between the aesthetic view of Allameh Mohammad Taghi Jafari and the works of picture writing of Jalil Rasouli? The present research method is qualitative in nature and practical in terms of purpose.
The community considered in this research is the picture writing of the contemporary era. The selection of samples from this studied community includes Tafannoni, Islamic and Jalil Rasouli picture writing from the fifties to the nineties of his artistic life.Since art for art's sake is considered the best type of art among most artists, the discussion of art for human beings in reasonable life has faded among artists, it seems necessary to match the aesthetic attitude of Allameh Jafari with the works of Jalil Rasouli. By comparing the attitudes of Jalil Rasouli and Allameh Jafari, we can come to the conclusion that both of them are religious people and their great love for the Ahl al-Bayt has caused them both to have a religious and religious attitude towards art.

Keywords

Main Subjects

History of Persian Art in the Islamic period
Volume 1, Issue 2
June 2024
Pages 229-252

Files

Share

How to cite

Statistics